Premio Combat Prize

I dissected all of Hitchcock’s Rear Window and stiched it back together in After Effects. I stabilized all the shots with camera movement in them. Since everything was filmed from pretty much the same angle I was able to match them into a single panoramic view of the entire backyard without any greater distortions. The order of events stays true to the movie’s plot.
JEFF DESOM is a writer, director and visual ef- fects artist. Combining live-action, found footage and digital effects, his work has been selected and awarded at a number of festivals around the world.