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OPERA IN CONCORSO  Sezione Grafica

Melita Matulić Jeleč | Nika Dolores
vedi ad alta risoluzione

Nika Dolores
trittico, scan graphic/photo print, fuji satin
(55x43) x3

Melita Matulić Jeleč

nato/a a Zagreb

residenza di lavoro/studio: Zagreb (CROATIA)

iscritto/a dal 23 apr 2014

Descrizione Opera / Biografia

Cv of Melita Matulić Jeleč
Born 1954 in Zagreb, Croatia, lives and works in Zagreb. Graduated in Art History, German language and Library Studies from the Faculty of Philosophy, University of Zagreb
Group Exhibitions:
2000 Happy Birthday Johannes (exhibition to mark the 600th anniversary of Johannes Gutenberg’s birth) Mainz, Germany
2001 21st Mini Print International of Cadaques, Spain
2001 Ex Libris - Old Lettering, University Library, Rijeka, Croatia
2002 White-headed Vulture Rescue (an auction sale) The Glyptotheque, Croatian Academy of Sciences and Arts (HAZU), Zagreb, Croatia
2003 Ex Libris – Man and Fish, University Library, Rijeka, Croatia
2004 24th Mini Print International od Cadaques, Spain
Solo Exhibitions:
2002 Metamorphoses of Fragility & Circle Movements, Europa House, Zagreb, Croatia
2003 Metamorphoses of Fragility & Circle Movements, Tin Ujevic Library, Zagreb City Libraries (KGZ)
2008 Retro Creations 1973-2008, Great Hall of the Faculty of Philosophy, Zagreb
2009 Fiery Sea/Sky, Staglisce Library, Zagreb city Libraries (KGZ)
2013 healing by Insight (ser. The Deep Blue of a Margin), Public Open University, Umag
Duo Exhibitions:
with Karmen Stosic – Two artists in Sync
2010 Fiery Sea/Sky, Europa House, Zagreb
2014 The Deep Blue of a Margin, Staglisce Library, Zagreb City Libraries (KGZ)
Internet Works:
2000 Metamorphis of Fragility 2000
2006 Tryptich for Tesla – based on authorial matrix
2012 Metamorphosis of Fragility 2012 – in collaboration with a composer Kristina Cvitanic
On Technique:
Since 1999 has been working mainly with a felt-tip pen on the positive photograph that is subsequently transposedinto scan /photo print or scan / ink-jet print enlargements.
Since 2008 has been transforming the auto motive lacquer fragments of her 1970’s grammar school works as well as the student ones, and transposing them into scan / photo print enlargements.