Premio Combat Prize

MOHSEN MOUSAVI

SUMMARY
My work as a video artist tries to obtain a pure sense of simplified visual form through constructed an aesthetic experience with combination of element such as image, sound and text in order to illuminate meaning in time-based art.
In terms of innovative transitions of thought which located within the work to create simultaneous message throughout all of its vital substances.
moreover, there is an intriguing concept of silence mode on video which i came across, where obviously other form such as painting and sculpture, potentially has competent to involve with viewer’s perception without utilized sound or audible fabrication, which captivate viewer’s attention and deeply engages them with the work of art. Hence, it would be an approach towards the silent video/film form in order to get most watchfulness of the work.
It could be describe as ”VIDEOPOETRY” when content and form of these fragmented expressions causes an impedimenta to the anti-narrative flow, the viewer is presented with illustrative juxtaposition of visual/image, sound/silent and text.
It is associated with the indexical culture context in relation to rhythmic and poetic experience of the work, which require considering a more subtle relationship between the two.
SKILL HIGHLIGHTS EDUCATION
Installation, Video Art, Videopoetry, Moving Image, Mixed Media, Montage, Ceramics Raku firing, Graphic Design.
2015 BA: FINE ART
UNIVERSITY OF SUNDERLAND ENGLAND
INTERESTS REFERENCES
Looking Creating Spirituality
2014 shortlisted for NGCA Project space
2014 shortlisted for Beers Contemporary Art Gallery
2014 Veramente Experimental Film Festival, Milan, Italy. 2014 Visual container video art platform, Italy.
2014 Priestman Gallery, University of Sunderland, England. 2014 Public show at City Centre Gallery, Isfahan, Iran. 2013 Videoartist Festival Isfahan, Iran.