Premio Combat Prize

Anne Cecile Surga - Premio Combat Prize

OPERA IN CONCORSO | Sezione Scultura/Installazione

 | Our Roots

Our Roots
mixed media, steel, plaster, synthetic hair, polystyrene, spay paint
100 x 41 x 33 cm

Anne Cecile Surga

nato/a a Lavelanet, France
residenza di lavoro/studio: Foix, FRANCE


iscritto/a dal 09 apr 2017


Under 35

http://www.annececilesurga.com


visualizzazioni: 344

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Descrizione Opera / Biografia


Anne Cecile was born in 1987 in Lavelanet, France. She demonstrated a natural interest in art and other manual activities during her childhood, and in 200 she entered her first drawing and painting class. She learnt classical rules of compositions, anatomy, and harmony of colors along with different techniques such as drawing, pastel, china ink and oil painting. This first classical study of art would be the foundation for the artistic development to come.
Anne Cecile enrolled in a business school in 2006 while studying clay sculpture in the evening. She later graduated with a Master in Business Administration. This is also the period when she took all the opportunities offered to her to travel and discover the world. Her travels brought her to live in countries such as Mexico, Turkey, in Florida, and in Singapore; and she travelled to even more countries. In 2012, she went to New York City where she graduated with a Master in Art History. Because of her exposure to a multitude of aesthetics and cultures, Anne Cecile is inclined to develop a universal artistic style: a style that aims to be understandable by most people, an art that speak directly to the heart of the viewer.
In 2013 Anne Cecile stayed at the Fundacion Pablo Atchugarry where she learnt how to cut marble. Following this experience marble becomes her favorite material, but she will keep on creating with other material such as papier mache, plaster, and steel. In 2015, she decides to entirely dedicate her life to her artistic practice and open her studio in the Pyrenean Mountains in France. Little did she know these mountains were full of marble as well. She thus integrated French marble to her practice, while keeping on working on Carrara marble.